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Sylvia Kristel, as Lady Chatterley ("Connie" to her husband) is an appealing young woman with clear eyes and a sweet ability to underplay a sex scene.
The men in her life are Shane Briant, as her husband, and Nicholas Clay, as her lover. He has to sit through most of the movie In a wheelchair, calling "Connie!
Just the other night someone was telling me, with a wistful tone, that they ought to do another version of "Emmanuelle," everyone's favorite soft-porn fantasy. The people who made the original "Emmanuelle" did the first two sequels, and there were three dozen rip-offs by other filmmakers.
But nobody ever quite recaptured the charm and the eroticism of that original film. Just Jaeckin, the director, and Sylvia Krlstel, the star, are back with "Lady Chatterley's Lover," which has been shot with great care and dedication and no end of soft-focus filters and glistening lips--but, alas, it just doesn't work.
See full summary » A bestselling crime novelist who is desperately looking for a new story hones his focus on the apparent suicide of a small-town woman, an aspiring model who thought she was the reincarnation of Marilyn Monroe. Lady Constance, his young wife, cares for him, but she's lifeless, enervated.
Her physician prescribes the open air, and she finds a quiet retreat at the hut - the workplace - of Parkin, the estate's gamekeeper. Class distinctions and gender roles may be barriers to the affair becoming more.
A group of cinematic spend a holiday in the French countryside.
In some strange way, this movie Is too pretty to be sexy.
The performances are all right, but that doesn't help, since performances do not seem to be the point in a movie like this.
Here is the most controversial erotic novel of the 20th century, reduced to the visual style of one of those Penthouse layouts where the model in pantaloons goes down to the stable to tickle the groom with her quirt. There has to be something more to Lawrence's original story than closeups of Lady Chatterley pushing back the shrubbery for a closer look at Mellors taking his bath.
It's no use comparing the book and movie versions of "Lady Chatterley's Lover." They do not exist in comparable terms. There's no rule that says a movie has to be faithful to the book it's based on, but this movie goes beyond infidelity and takes indecent liberties with the defenseless pages of D. In atonement, this movie has sporadic fits of conscience, In scenes that genuflect in the direction of Lawrence's original subjects.
The rhythms of nature awaken Connie - daffodils, pheasant chicks - and soon she and Parkin become lovers. Connie's trip to France, with her father and sister, bring the lovers to a nuanced resolution.